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The owners of this 100-year-old character cottage in the Melbourne suburb of Ivanhoe, a professional couple and their teenaged daughter, had the pressing need to update their kitchen, laundry and bathroom, and to improve opportunities for living and leisure space. Faced with some awkward planning from ad hoc adjustments over the years, the limited internal / external connection of the existing layout, and poor thermal performance typical of aged homes of this era, the renovation demanded a broader focus than refurbishment alone. Located at the front of a densified battle-axe subdivision, the project required an intricate and tailored approach.

On a modest site of less than 400m2 with a 6.5m rear setback covenant - both by-products of the earlier subdivision - the scope for extension was severely limited. It was integral to take a forensic approach toward re-organisation of the existing space. The desire for more leisure space and improved garden connection, for the most part within the existing footprint, demanded reconsidering what was already there; any addition to the house had to work hard and earn its keep.

From the outset, the existing house exuded a comfortably eccentric aura. Looking at the street façade, the house’s previous renovations are evident in its charming assemblage of terracotta roof, brick chimney and part-weatherboard, part-stucco frontage. The new yet subtle additions are another chapter in the house’s evolution over time.

For the interior, the primary goal was to provide a backdrop for the clients’ collections to be on full display. The home is unapologetic, revelling in the pleasant messiness of living with things. The re-organisation of the rear part of the house saw the floor plan simplified by swapping the kitchen and dining areas, allowing flow through the centre of the house, the modest linking addition and out to the rear garden. Straddling the line between function and form, the kitchen’s natural ledges, nooks and integrated shelving create opportunities for display and breakdown the discrete definition between spaces with differing functions. The re-orientation intentionally blurs the edges of the kitchen, allowing it to borrow from, and importantly give to, the adjoining supporting spaces.

As avid travellers and lovers of art and literature the owners have amassed a wide collection over the years. Inspired by this, the house was designed as a celebration of their love of ‘things’: the objects, mementos and artefacts that are part of their authentic, everyday life, all proudly on display. A subdued yet confident approach, favouring simplicity and honesty to materiality and form, ensured that each article, from their books, music, art, a Tanuki statue, to a taxidermy turkey, deserved an equal spectacle within their home.

In Japanese architecture, the engawa or ‘en’, meaning edge, is a transitional zone resembling a sunroom or porch, that runs around or along an interior space. The engawa allows flexibility, either opening-up or providing enclosure to the interior. This strategy is employed throughout the home but is most apparent at the rear, where the internal hallway (abutting the new cupboard-style laundry and providing access to the reconfigured bathroom) is mirrored externally with a narrow deck.

*Words taken from Inbetween Architecture.

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Stain Colour: Maple

Designed by: Inbetween Architecture

Photographed by: Peter Bennets

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Established in 2009, BINQ is a privately owned Australian company who's influence comes from travelling the globe researching the most advanced window systems, machinery and manufacturing techniques.

Expanding its business and operations to a national, recognized brand, BINQ has two manufacturing plants located in Melbourne, Victoria, with a combined floor area of over 3,000m2, and is now Australia's largest high-performance window manufacturer.

As things have evolved, our core company values are built on solid foundations of integrity, trust, a high focus on customer service, driven by providing value, and delivering high quality products made from quality workmanship.

Our customer service is geared to exceptional standards at each touch point of the customer journey, with responsiveness being the critical driver right from the first touch point, through the sales process, to scheduling and production and after sales services.

With solid project planning, automated machinery, advanced manufacturing techniques and highly skilled joinery technicians, we consistently meet deadlines, whilst maintaining a high quality of workmanship.

Our diverse product offer consists of timber and uPVC window systems catering to a range of both residential and commercial markets in Australia, specializing in high-performing, thermally efficient, architectural window systems.

Windows have tradionally been viewed as a utilitarian product where a designer has designed a hole in a wall for a window to be installed into, whereas we view windows as much more than that. We view windows as the most important element in a building that has a dramatic impact on the design, aesthetics, functionality, liveability, and performance of a home.

We've always been very focused on the tupe of business we want to be and the type of busienss we want to be known for and it's this clarity that continues to drive the busienss everything day.

Regardless of where we've been throughout the journey, one thing has stood true. 'To raise the standard in the industry by giving customer unequivocal excellence in product and service, at honest prices', which has become the mission of the business.

At ArchiPro we recognise and acknowledge the existing, original and ancient connection Aboriginal and Torres Strait Islander peoples have to the lands and waterways across the Australian continent. We pay our respects to the elders past and present. We commit to working together to build a prosperous and inclusive Australia.